📜 Verbum
Scripture and the Fathers, read aloud in the original
♥ Support

← All books · Latin Fathers › Against the Pagans

Against the Pagans 6 part 1/2

Latin original · 41 verses · some words can be tapped for a gloss · long chapter, split into parts; this part covers 6:1–6:41 (71 verses in all)

← ch. 5ch. 7 →
next part →
ℹ️ This corpus has no morphological tagging. Glosses are matched by word form against a dictionary — a match does not prove it is the same word (an inflected form can coincide with another word’s lemma). Verify against the original and a specialist lexicon where precision matters.
ℹ️ The Chinese and English alongside are this site's own translation, made directly from the original text on this page (not the CUV or the WEB, which follow the Masoretic Text and a different textual tradition).
6:1
1.1. Nunc quoniam summatim ostendimus, quam impias de diis vestris opinionum constitueritis infamias, equitur ut de templis, de simulacris etiam sacrificiisque dicamus deque alia serie quae his rebus adnea est et vicina copulatione coniuncta. 2. In hac enim consuestis parte crimen nobis maximum impietatis adfigere, quod neque aedes sacras venerationis ad officia construamus, non deorum alicuius simulacrum constituamus aut formam, non altaria fabricemus, non aras, non caesorum sanguinem animantium demus, non tura neque fruges salsas, non denique vinum liquens paterarum effusionibus inferamus. 3.
Now, since we have shown in summary how impious are the infamies of opinion which you have established concerning your gods, it follows that we should speak of temples, and also of images and sacrifices, and of the other series of matters that is attached to these things and joined to them by a neighbouring connection. For in this respect you are accustomed to fasten upon us the greatest charge of impiety: that we neither build sacred edifices for the offices of worship, nor set up any image or form of a god, nor fashion altars nor hearths, nor offer the blood of slain animals, nor incense nor salted grain, nor finally bring wine flowing in the outpourings of libation-bowls.
如今,既然我們已扼要說明你們對自己諸神所立下的意見是何等不虔的醜聞,接下來便該談論神殿、神像與祭祀,以及與這些事相連、以鄰近關係結合的一連串事物。因為正是在這方面,你們慣於把最大的不虔之罪加諸我們:說我們既不為敬拜之職建造聖殿,也不設立任何神明的像或形,不造祭壇、不造神龕,不獻宰殺牲畜之血,不獻乳香與加鹽的穀物,最後也不以奠祭之碗傾倒流動的酒。
6:2
Quae quidem nos cessamus non ideo vel exaedificare vel facere, tamquam inpias geramus et scelerosas mentes aut aliquem sumpserimus temeraria in deos desperatione contemptum, sed quod eos arbitramur et credimus - si modo dii certi sunt et nominis huius eminentia praediti - honorum haec genera aut risui habere si rideant aut indigne perpeti si motibus exasperentur irarum. 2.1.
These things indeed we refrain from building or doing—not because we bear impious and wicked minds, or have conceived some contempt for the gods in reckless despair, but because we judge and believe that they—if indeed they are true gods and endowed with the eminence of this name—either regard these kinds of honour as matter for laughter, if they laugh, or endure them with indignation, if they are exasperated by the movements of wrath.
我們之所以不建造、不行這些事,並非因為我們懷著不虔與邪惡之心,或因對眾神懷有輕率絕望而生出某種輕蔑,而是因為我們判斷並相信:他們——若他們確是真神、並具備此名的卓越——對這類崇敬,若他們會笑,便視之為可笑之事;若他們會因怒氣的波動而被激怒,便視之為難以忍受的冒犯。
6:3
Ut enim noscatis, quid de isto nomine sentiamus iudicii que simus cuius, existimamus nos eos, si modo dii certi sunt, ut eadem rursus satiateque dicantur, cunctarum esse debere perfectarum que virtutum, sapientes iustos aves, si modo nulla est culpa quod eos laudibus adcumulamus humanis, intestinis pollentes bonis, nec extraneis adminiculis se addicere quo illis integritas inoffensae beatitudinis conpleatur, ab adfectibus cunctis et cunctis perturbationibus | f.
For that you may know what we think about that name, and what our judgement is: we consider that they—if indeed they are true gods (that the same things may be said again to satiety)—ought to be possessed of all perfect virtues, wise and just (if it be no fault that we heap human praises upon them), strong in inward goods, and not to bind themselves to external aids by which the integrity of their unimpaired blessedness might be completed, being free from all affections and all disturbances...
為使你們得知我們對這名稱的看法、以及我們持何判斷:我們認為他們——若他們確是真神(讓同樣的話再說到令人生厭)——理當具備一切完全的德性,既智慧又公正(若我們以人間的讚辭堆砌於他們身上算不得過錯的話),內在善德充盈,且不倚靠外在的憑藉來成全他們那無瑕福樂的完整,遠離一切情感與一切紛擾……
6:4
121 b | liberos non ira effervere, non ullis cupiditatibus exlo citari, calamitatem inrogare nullis, non ex malis hominum crudelem accipere voluptatem, non terrere portentis, non prodigiosas ostentare formidines, non votorum debitis habere obnoxios et obligatos nec piaculares hostias signis minacibus postulare, non pestilentias, non morbos corruptione aeris inducere, non adurere siccitatibus fruges, non caedibus interesse bellorum, non urbium stragibus, non adversa his velle, non illorum commoditatibus suffragari: sed, quod magnarum est mentium, pari pendere cunctos lance et individuas cunctis benivolentias exhibere. 2. Caduci enim generis et infirmitatis humanae est contrariis agere:
...free—that they do not boil over with anger, nor are stirred by any desires, inflict calamity on none, take no cruel pleasure from the evils of men, do not terrify with portents nor display prodigious terrors, do not hold men liable and bound by the debts of vows, nor demand expiatory victims with menacing signs, do not bring in pestilences nor diseases by the corruption of the air, do not scorch the crops with droughts, do not take part in the slaughters of wars nor the destructions of cities, do not wish adversity to these nor favour the advantages of those; but—which belongs to great minds—weigh all in an equal balance and show undivided benevolence to all. For it belongs to a perishable kind and to human weakness to act in contrary ways:
……得享自由——不因怒氣沸騰,不被任何慾望所激動,不將災禍加於任何人,不從人的災難中取得殘忍的快感,不以怪異之兆恐嚇人,不顯示駭人的怖懼,不因還願之債而使人受制受縛,不以威嚇之兆索求贖罪的犧牲,不藉空氣的敗壞降下瘟疫與疾病,不以乾旱燒焦莊稼,不參與戰爭的殺戮、不參與城市的傾覆,不對這些人存惡意、也不偏袒那些人的利益:而是——這正是偉大心靈的特質——以公平的天平衡量眾人,並向眾人施予無所偏私的仁慈。因為以相反的方式行事,乃是易朽之族與人類軟弱的表現。
6:5
eosque quos tangat adfectio pati dolere deminui sapientium scita et pronuntiata definiunt nec posse aliter fieri quin legibus mortalitatis adstricti sint qui sint ullis perturbationibus mancipati. 3. Quod cum ita se habeat, qui possumus iudicari deos habere contemptui, quos, nisi sunt recti et magnarum mentium admiratione laudabiles, deos negamus existere nec potestatibus posse caelitibus applicari? 3.1. "Sed templa illis extruimus nulla nec eorum efflgies adoramus, non mactamus hostias, non tura ac vina libamus".
And the decrees and pronouncements of the wise define that those whom emotion touches must suffer, grieve, and be diminished, and that it cannot be otherwise but that they are bound by the laws of mortality who are enslaved to any disturbances. Since this is so, how can we be judged to hold the gods in contempt—we who deny that they exist as gods, and cannot be reckoned among the heavenly powers, unless they are upright and praiseworthy by the admiration due to great minds? 'But you build them no temples, nor adore their images, do not slay victims, do not offer incense and wine.'
智者的定論與宣告斷定:凡被情感觸動者,必受苦、悲傷、衰減;凡受制於任何紛擾者,必無可避免地被必死的律例所束縛。既然如此,我們又怎能被判為輕蔑眾神呢?——我們正是主張:除非他們正直、並因偉大心靈而配得欽仰的讚美,否則我們否認他們作為神而存在、也不能被列入天上的權能。「但你們不為他們建造任何神殿,不敬拜他們的像,不宰殺犧牲,不奠獻乳香與酒。」
6:6
- Et quid amplius possumus vel honoris eis attribuere vel dignitatis, quam quod eos in ea ponimus parte qua rerum caput ac dominum summum que ipsum regem, cui debent di una nobiscum, quod esse se sentiunt et vitali in substantia contineri? | f. 122 | 2. Numquid enim delubris ut templorum eum constructionibus honoramus? Numquid ei hostias caedimus? Numquid alias res damus, quas libere, profundere non est rationis expensae sed tracti per consuetudinem moris? 3. Etenim plena dementia est, necessitatibus tuis potentiora metiri et quae tibi sint usui datoribus diis dare, et honorem istum, non contumeliam ducere.
And what greater honour or dignity can we attribute to them, than that we place them in the same rank as the Head of all things and the Lord and highest King himself, to whom the gods, together with us, owe the fact that they perceive themselves to exist and to be contained in a vital substance? Do we indeed honour Him with shrines or with the building of temples? Do we slay victims to Him? Do we give Him other things which it is not the part of considered reason to pour out lavishly, but of being drawn along by the custom of habit? For it is utter madness to measure by your own needs things more powerful than yourself, and to give to the gods, as givers, what is of use to you, and to reckon that an honour and not an insult.
我們還能賦予他們什麼更大的尊榮或尊嚴,勝過把他們置於與萬物之首、至高之主與君王同一的地位呢?——眾神與我們一同,正是因祂才得以自覺存在、並被涵存於生命的本體之中。難道我們用神龕或神殿的建造來尊崇祂嗎?難道我們為祂宰殺犧牲嗎?難道我們獻上其他不當隨意傾倒之物嗎?——那並非出於審慎理性的斟酌,而是被習俗牽引的結果。實在說來,以你自己的需要去衡量比你更有能力者,並把對你有用之物獻給作為施予者的眾神,還把這當作尊榮而非侮辱,這乃是十足的瘋狂。
6:7
Templa igitur, quaerimus, in deorum quos usus aut in rei cuius necessitatem aut dicitis esse constructa aut esse rursus aedificanda censetis? 4. Hiemalia sentiunt frigora aut solibus torrentur aestivis, pluvialibus nimbis perfluuntur, ventorum eos aut turbines vexant, incursionem pati periclitantur hostilem ferarum aut rabidos adpetitus, ut merito illos conveni;at tectorum munitionibus claudere, saxorum aut obiectione tutari? 5. Templa enim haec quid sunt? Si humanam infirmitatem roges, nescio quid immane atque amplum: si deorum potentiam metiaris, successus quidam parvi atque ut verius eloquar genus angustissimum cavernarum paupertini cordis excogitatione suspensum. 6.
Temples, then, we ask: for what use of the gods, or for the necessity of what thing, do you say they have been built, or judge that they should be built anew? Do the gods feel the cold of winter, or are they scorched by the summer suns, drenched by rainy clouds; do winds or whirlwinds harass them; are they in danger of suffering the hostile onset of wild beasts or their raging appetites—so that it would rightly befit to shut them within the defences of roofs, or to protect them by the barrier of stones? For what are these temples? If you ask human weakness, they are something huge and vast; if you measure the power of the gods, they are certain small achievements, and—to speak more truly—a most cramped kind of caverns, hung up by the contrivance of a poverty-stricken heart.
那麼我們問:你們說神殿是為眾神的什麼用途、或為什麼事的需要而建,或認為當再重建的呢?難道他們會感到冬日的寒冷,或被夏日的烈陽烤灼,被雨雲淋透,被狂風或旋風侵擾,冒著遭受野獸的敵意衝擊或狂暴撲咬的危險,以致理當把他們關進屋頂的防護之內、或以石壁的阻隔加以保護?這些神殿究竟是什麼?若你問人的軟弱,它們是某種龐大宏偉之物;若你衡量眾神的大能,它們不過是些微小的成就,更真切地說,是一種最狹窄的洞穴,靠著貧乏之心的臆想懸掛起來。
6:8
Quorum si quaeris audire quis prior fuerit institutor, quis fabricator, aut Phoroneus, Aegyptius aut Merops tibi fuisse monstrabitur, aut ut tradit in Admirandis Varro, Iovis progenies Aeacus. Sint ergo haec licet aut ex molibus marmoreis structa, laquearibus aut renideant aureis, splendeant hic gemmae | f. 122b | et sidereos evomant variata interstinctione fulgores: terra sunt haec omnia et ex faece ultima vilioris materiae concreta. 7. Neque enim si vos ea pretiis carioribus penditis, delectari credendum est his deos nec recusare nec spernere quo minus se saepiant et eorum obiectibus coerceantur inclusi. 8.
If you wish to hear who was their first founder, who their builder, either Phoroneus, or the Egyptian Merops will be pointed out to you, or, as Varro relates in his 'Marvels,' Aeacus, the offspring of Jupiter. But granting that these are either constructed of marble masses, or glitter with golden panelled ceilings, and that here gems shine and pour forth starry gleams with their varied inlay: all these things are earth, and compounded from the lowest dregs of baser material. For even if you value them at dearer prices, it must not be believed that the gods delight in these, nor refuse nor scorn to fence themselves in and be confined, enclosed by their barriers.
若你想聽這些神殿最初的創建者、建造者是誰,人會指給你看:或是佛洛紐斯(Phoroneus),或是埃及人墨洛普斯(Merops),或如瓦羅(Varro)在《奇事錄》中所傳的,是宙斯之子埃阿科斯(Aeacus)。那麼,縱使這些神殿或以大理石砌成,或以鑲金的天花板閃耀,寶石在此生輝、以斑斕的鑲嵌噴射出星辰般的光芒:這一切都是泥土,是由更低賤材料的最末渣滓凝聚而成。因為縱使你們以更昂貴的價格估量它們,也不可相信眾神會以此為樂,或會不拒絕、不鄙棄地把自己圍起、被自己的屏障所局限囚禁。
6:9
"Templum, inquit, hoc Martis est, hoc Iunonis et Veneris, hoc Herculis Apollinis Ditis". - Quid est aliud dicere, quam domus haec Martis est, haec Iunonis et Veneris, Apollo hic habitat, in hac manet Hercules, illa Summanus? Ita non prima et maxima contumelia est habitationibus deos habere districtos, tuguriola his dare, conclavia et cellulas fabricari et eis existimari necessarias res esse, quae hominibus, felibus, quae sunt formiculis et lacertis, quae fugacibus, pavidis atque exiguis muribus? 4.1.
'This temple,' he says, 'is Mars's, this is Juno's and Venus's, this is Hercules's, Apollo's, Dis's.' What else is this to say than: this house is Mars's, this is Juno's and Venus's, Apollo dwells here, in this one Hercules remains, in that one Summanus? Is it not therefore the first and greatest insult to have the gods confined to dwellings, to give them little huts, to build chambers and cells for them, and to think that things are necessary to them which are so to men, to cats, to little ants and lizards, to fleeing, timid, and tiny mice?
「這座神殿,」他說,「是馬爾斯的,這座是尤諾(Juno)與維納斯的,這座是赫丘力士(Hercules)、阿波羅(Apollo)、狄斯的。」——這豈不等於說:這間房子是馬爾斯的,這間是尤諾與維納斯的,阿波羅住在這裡,赫丘力士留在這間,那間是蘇曼努斯(Summanus)的?如此把眾神拘束於居所,給他們茅舍,為他們建造臥室與小屋,並認為那些對人、對貓、對小螞蟻與蜥蜴、對逃竄膽怯的小老鼠而言是必需之物,對眾神也是必需的——這豈不是首要而最大的侮辱?
6:10
"Sed non, inquit, idcirco adtribuimus diis templa tamquam umidos ab his imbres ventos pluvias arceamus aut soles, sed ut eos possimus coram et com minus contueri, adfari de proximo et cum praesentibus quodammodo venerationum conloquia miscere". 2. - Sub axe enim nudo et sub aetherio tegmine invocati si fuerint, nihil audiunt, et nisi de proximo admoveantur his preces, tamquam nihil dicatur, obstructi atque immobiles stabunt. 3. Atquin nos arbitramur omnem deum omnino, si modo nominis huius vi pollet, ex quacumque mundi parte quod quisque fuerit locutus, tamquam si sit praesens, audire debere, immo quod quisque conceperit | f.
'But we do not,' he says, 'assign temples to the gods for this reason, that we might ward off from them damp rains, winds, showers, or suns, but that we may be able to behold them face to face and close at hand, to address them from nearby, and in a way to mingle the conversations of worship with them as present.' For if they are invoked under the bare vault of heaven and under the ethereal covering, they hear nothing; and unless prayers are brought to them from close at hand, they will stand blocked and motionless, as though nothing were said. But we, on the contrary, judge that every god whatsoever—if indeed he is strong with the power of this name—ought to hear, from whatever part of the world anyone speaks, as though he were present; nay rather, whatever each has conceived...
「但我們,」他說,「並非為此把神殿歸給眾神,好像要替他們擋開潮濕的陰雨、狂風、驟雨或烈日,而是為使我們能面對面、近距離地瞻仰他們,就近向他們陳詞,並彷彿與臨在的他們交融敬拜的談話。」——因為若在赤裸的蒼穹之下、在以太的天幕之下呼求他們,他們什麼也聽不見;除非禱告從近處呈到他們面前,否則他們就如同什麼也沒說一般,被阻塞、不動地站著。然而我們卻認為:凡真神,只要他配得此名的能力,無論人從世界的哪一部分說話,他都當如同臨在一般聽見;不僅如此,凡人所構想的……
6:11
123 | sub obscuris et tacitis sensibus, cognitione anticipata praesumere, atque ut astra sol luna, cum supra terras meant, omnibus omnino cernentibus statim sunt et ubique praesentes, ita ae que convenit audientiam numinum nulli esse clausam linguae semperque esse praesentem, quamvis ad eam voces regionibus ex distantibus confluant. 4. Hoc est enim proprium deorum, conplere omnia vi sua, non partiliter uspiam sed ubique esse totos, non adesse non abesse, non cenatum ad Aethiopas pergere et post dies bis senos privatum ad domicilium redire. 5.1. Quod si ita non erit, tollitur omnis spes opis et erit in dubio, audiamini ab dis necne, si quando res sacras caerimoniarum conficitis debitis. 2.
...under dim and silent perceptions, the god ought to anticipate by foreknowledge; and as the stars, the sun, the moon, when they pass above the earth, are at once present to all who behold them, and everywhere present, so it is likewise fitting that the hearing of the deities be closed to no tongue and be ever present, however voices flow to it from distant regions. For this is the property of the gods: to fill all things with their power, to be nowhere in part but everywhere whole, neither to be present nor absent, not to go off to dine among the Ethiopians and after twice six days return privately to their dwelling. But if it will not be so, all hope of help is taken away, and it will be in doubt whether you are heard by the gods or not, whenever you perform the sacred rites of due ceremonies.
……在幽暗沉默的心思之下,神都當以預先的洞察加以領會;正如星辰、日、月在大地之上運行時,立刻對一切觀看者臨在、且處處臨在,同樣,神明的聽聞理當不對任何語言封閉、且永遠臨在,縱使聲音從遙遠的地區匯流而至。因為這正是眾神的本性:以自己的能力充滿萬物,不在任何一處只是局部地存在,而是處處完整地存在,既非臨在亦非缺席,不會跑去衣索比亞人那裡赴宴、過了十二天才私下返回自己的居所。但若並非如此,一切求助的盼望便被取消,而每當你們履行應盡的祭儀聖事時,你們究竟是否被眾神聽見,便成了疑問。
6:12
Constituamus enim noscendae rei causa templum numinis alicuius esse apud Canarias insulas, eiusdem apud ultimam Thylem, eiusdem apud Seras esse, apud furvos Garamantas et si qui sunt alii quos ab sui notitia maria montes silvae et quadrini disterminant cardines: si omnes uno in tempore rebus divinis factis, quod sua quosque necessitas rogitare compellit, poscantque de numine, referendi beneficii quaenam omnibus spes erit, si non undique ad se missam vocem deus exaudiet et erit ulla longinquitas, quo penetrare non possit auxilium poscentis oratio? 3.
For, that we may understand the matter, let us suppose that there is a temple of some deity among the Canary Islands, another of the same among furthest Thule, another among the Seres, among the swarthy Garamantes, and any others whom seas, mountains, forests, and the four cardinal points cut off from knowledge of one another: if all at one and the same time, having performed the divine rites, make request—each compelled by his own need—and ask of the deity, what hope of a benefit returned will there be for all, if the god does not hear from every side the voice sent to him, and there is any remoteness which the prayer of one asking for help cannot penetrate?
為了認清此事,讓我們假設:某位神明的一座神殿在加那利群島(Canary Islands),同一神的另一座在極遠的圖勒(Thule),同一神的又一座在賽里斯人(Seres,即中國人)那裡,在黝黑的加拉曼特斯人(Garamantes)那裡,以及任何被海洋、山嶺、森林與四方之極彼此隔絕、互不相知的其他民族那裡:若眾人在同一時刻舉行神事——各人被自己的需要驅使而懇求——並向神明祈求,那麼眾人得回報恩惠的盼望何在?倘若神不能從四面八方聽見送到他面前的聲音,且存在某種遙遠,使求助者的禱告無法穿透?
6:13
Aut enim nullis erit in partibus praesens, si uspiam poterit aliquando non esse, aut aderit unis tantum, quoniam praebere communiter suum non potest atque indiscretus auditum. | f. 123b | 4. Atque ita perficitur, ut aut nullis deus opituletur omnino, si occupatus re aliqua ad audiendas voces non quiverit advolare, aut exauditi tantummodo uni abeant soli, nihil egerint ceteri. 6.1. Quid quod multa ex his templa, quae tholis sunt aureis et sublimibus elata fastigiis, auctorum conscriptionibus conprobatur contegere cineres atque ossa etfunctorum esse corporum sepulturas [esse]? 2.
For either he will be present in no place, if he can anywhere at some time not be, or he will be present to some only, since he cannot indivisibly furnish his hearing in common. And thus it comes about that either the god helps none at all, if, occupied with some matter, he cannot fly to hear the voices, or only those alone who are heard go away satisfied, and the rest have accomplished nothing. What of the fact that many of these temples—which are raised on golden domes and lofty pinnacles—are proved by the writings of authors to cover ashes and bones, and to be the burial-places of dead bodies?
因為他要麼在任何地方都不臨在——若他能在某處某時不存在的話;要麼只臨在於某些人,因為他不能不加分別地把自己的聽聞普遍地供給眾人。如此便得出結論:神要麼完全不援助任何人——若他忙於某事、無法飛來聽取聲音;要麼只有那被聽見的一人獨自得償而去,其餘的人一無所成。更何況這些神殿中有許多——那些高聳於金頂與崇高尖閣之上的——經作者的著述證實,其下覆蓋著骨灰與骸骨,是死者身軀的墳墓?
6:14
Nonne patet et promptum est aut pro dis immortalibus mortuos vos colere aut inexpiabilem fieri numinibus contumeliam, quorum delubra et templa mortuorum superlata sunt bustis? 3. In historiarum Antiochus nono Athenis in Minervio memorat Caecropem esse mandatum terrae; in templo rursus eiusdem, quod in arce Larisae, esse conditus scribitur atque indicatur Acrisius, Ericthonius Poliadis in fano, Dairas et Immaradus fratres in Eleusinio consaepto, quod civitati subiectum est. 4. Quid Celei virgines? non in Caereris Eleusiniae humationis usae perhibentur officio?
Is it not plain and evident that either you worship the dead in place of the immortal gods, or that an inexpiable insult is done to the deities, whose shrines and temples have been raised over the tombs of the dead? In the ninth book of his Histories Antiochus records that at Athens, in the temple of Minerva, Cecrops was committed to the earth; again, in the temple of the same goddess, which is on the citadel of Larisa, Acrisius is written and pointed out to have been buried; Erichthonius in the shrine of Athena Polias; the brothers Daïras and Immaradus in the Eleusinian enclosure that lies beneath the city. What of the daughters of Celeus? Are they not said to have received the office of burial in the temple of Eleusinian Ceres?
這豈不顯然明白:你們要麼是以死人代替不朽的眾神來敬拜,要麼是對神明施加了無可贖補的侮辱——因為他們的神龕與神殿是築在死者的墳塋之上的?安提阿庫斯(Antiochus)在《歷史》第九卷中記載:在雅典彌涅耳瓦的神殿裡,刻克洛普斯(Cecrops)被交託於土;又據記載並指明,在同一女神位於拉里薩(Larisa)衛城的神殿裡,埋葬著阿克里西俄斯(Acrisius);厄里克托尼俄斯(Erichthonius)在雅典娜·波利阿斯(Athena Polias)的聖所;戴拉斯(Daïras)與伊瑪拉杜斯(Immaradus)兄弟在城下的厄琉息斯(Eleusis)圍場。刻勒俄斯(Celeus)的女兒們又如何?據說她們不正是在厄琉息斯刻瑞斯的神殿中受了安葬之禮嗎?
6:15
non in Dianae delubro, quod in Apollinis constitutum est Delii, Hyperoche Laodiceque, quas advectas illuc esse finibus ex Hyperboreis indicatur? 5. In Didymaeo Milesio aleochum dicit habuisse suprema Leandrius funeris. Leucophrynae monumentum in fano apud Magnesiam Dianae esse Myndius profitetur ac memorat Zeno. 6. Sub Apollinis arula, quae Telmessi apud oppidum visitur, Telmessum esse conditum vatem non scriptis constantibus indicatur? 7. Ptolomaeus Agesarchi de Philopatore quem edidit primo. Cinyram regem Paphi cum familia omni | f. 124 | sua, immo cum omni prosapia in Veneris templo situm esse litterarum auctoritate declarat. 8.
Are not Hyperoche and Laodice—who are reported to have been conveyed thither from the Hyperborean regions—buried in the shrine of Diana which is established within that of Delian Apollo? In the Didymaean temple at Miletus, Leandrius says that a certain one had the last rites of a funeral. Myndius declares, and Zeno records, that the monument of Leucophryne is in the shrine of Diana at Magnesia. Is it not indicated by consistent writings that beneath the little altar of Apollo which is seen at the town of Telmessus, the seer Telmessus is buried? Ptolemy, son of Agesarchus, in the first book which he published about Philopator, declares by the authority of writings that Cinyras, king of Paphos, with all his household—nay, with all his lineage—is laid in the temple of Venus.
許珀洛刻(Hyperoche)與拉俄狄刻(Laodice)——據指明是從許珀耳玻瑞亞(Hyperborea)地界被運來的——不正是葬在那設於得洛斯阿波羅神殿之內的狄安娜(Diana)神龕裡嗎?勒安德里俄斯(Leandrius)說,在米利都的狄底瑪(Didyma)神殿裡,有某人受了葬儀。明杜斯人(Myndius)宣稱、芝諾(Zeno)也記載:琉科弗律涅(Leucophryne)的紀念碑在馬格尼西亞(Magnesia)狄安娜的神殿中。難道不是有一致的記載指明,在特爾墨索斯(Telmessus)城中可見的阿波羅小祭壇之下,埋葬著先知特爾墨索斯嗎?阿革薩爾庫斯之子托勒密(Ptolemy)在他所出版關於費羅帕托爾(Philopator)的第一卷中,以文獻的權威宣稱:帕福斯(Paphos)王庫倪拉斯(Cinyras)連同他全家——不,連同他全族——都安葬在維納斯的神殿中。
6:16
Infinitum est et inmensum, quibus quique in fanis toto sint in orbe describere, nec exactam desiderat curam - quamvis poenam constituerit Aegyptus in eum qui publicasset quibus Apis iaceret absconditus - polyandria illa Varronis quibus templis contegantur quasque in se habeant superlati ponderis moles. 7.1. Sed quid ego haec parva? Regnatoris in populi Capitolio qui est hominum qui ignoret Oli esse sepulchrum Vulcentani? 2. Quis est, inquam, qui non sciat ex fundaminum sedibus caput hominis evolutum non ante plurimum temporis aut solum sine partibus ceteris - hoc enim quidam ferunt - aut cum membris omnibus humationis officia sortitum? 3.
It would be infinite and immense to describe who is buried in which shrines throughout the whole world, nor does it require exact care to say by which temples those 'common tombs' of Varro are covered, and what masses of superimposed weight they bear upon themselves—although Egypt appointed a penalty for anyone who should publish where Apis lay hidden. But why do I dwell on these trifles? Who among men is there who does not know that in the Capitol of the ruling people there is the tomb of Olus of Vulci? Who is there, I say, who does not know that from the foundation-beds the head of a man was rolled out, not very long ago—either alone, without the rest of the parts (for so some report), or having obtained the offices of burial with all its members?
要描述全世界哪些人埋在哪些聖所裡,乃是無窮無盡之事,也不需要精確的考究——雖然埃及曾對凡洩露阿庇斯(Apis)藏於何處者定下刑罰——去說瓦羅所謂的那些「群葬之墓」被哪些神殿所覆蓋、其上又承載著何等沉重的巨大石堆。但我何必談這些瑣事?在統治萬民之城的卡皮托山(Capitolium)上,眾人之中有誰不知道那裡有維爾奇人奧盧斯(Olus of Vulci)的墳墓呢?我說,有誰不知道:不久之前,從地基之下滾出一顆人頭——或是單獨一顆、沒有其餘部分(有人如此傳說),或是連同全部肢體一起獲得了安葬之禮?
6:17
Quod si planum fieri testimoniis postulatis auctorum, Sammonicus Granius Valerianus vobis et Fabius indicabunt, cuius Aulus fuerit filius, gentis et nationiscuius, cuius per manus servuli vita fuerit spoliatus et lumine, quid de suis commeruerit civibus, ut ei sit abnegata telluris patriae sepultura. 4. Condiscetis etiam, quamvis nolle istud publicare se fingant, quid sit capite retecto factum vel in parte qua arcis curiosa fuerit obscuritate conclusum, ut immobilis videlicet atque fixa obsignati ominis perpetuitas staret. 5.
But if you demand that this be made plain by the testimonies of authors, Sammonicus, Granius, Valerianus, and Fabius will show you whose son Aulus was, of what family and nation, by the hand of what little slave he was despoiled of his life and light, what he deserved of his fellow citizens, that burial in the soil of his native land was denied him. You will also learn—though they pretend to be unwilling to publish this—what was done with the uncovered head, or in what part of the citadel it was enclosed in careful obscurity, so that the perpetuity of the sealed omen might stand, as it were, immovable and fixed.
但你們若要求以作者的見證來證實此事,薩摩尼庫斯(Sammonicus)、格拉尼烏斯(Granius)、瓦勒里阿努斯(Valerianus)與法比烏斯(Fabius)會指給你們看:奧盧斯是誰之子、屬於哪個家族與民族、經由哪個小奴之手他被奪去了性命與光明、他對自己的同胞犯了何事,以致祖國之土的葬身之地被拒絕給他。你們也會一併得知——縱使他們佯裝不願公開此事——那顆被揭開的頭顱做了什麼,或它被封閉在衛城哪個部分、以精心的隱蔽藏起,好使那被封印之兆的永久性得以彷彿不動而固定地屹立。
6:18
Quod cum opprimi par esset et vetustatis obliteratione celari, conpositio nominis iecit in medium et cum suis causis per data sibi tempora inextinguibili fecit testificatione procedere, nec erubuit civitas maxima et numinum | f. 124b | cunctorum cultrix, cum vocabulum templo daret, ex Oli capite Capitolium quam ex nomine Iovio nuncupare. 8.1. Satis igitur ut opinor ostendimus templa diis immortalibus aut inaniter iis esse constructa aut contra decus et potentiam creditam contumeliosis opinationibus fabricat? 2. Sequitur ut de signis aliquid simulacrisque dicamus, quae multa arte conponitis et religiosa observatione curatis. 3.
And though it were fitting that this be suppressed and hidden by the obliteration of age, the formation of the name brought it into the open, and made it proceed, with its causes, through the ages granted to it, by an inextinguishable attestation; nor was the greatest city, worshipper of all the deities, ashamed, when giving a name to the temple, to call it 'Capitolium' from the head (caput) of Olus rather than from the name of Jupiter. Enough, then, as I think, we have shown that temples have either been built in vain for the immortal gods, or fashioned—against the honour and power ascribed to them—by insulting suppositions. It follows that we should say something about the statues and images, which you compose with much art and tend with religious observance.
儘管此事本該被壓下、被歲月的湮滅所掩蓋,那名稱的構成卻把它公之於眾,並使它連同其緣由、經由賦予它的歲月、以不滅的見證流傳下去;而那最偉大的城邦、一切神明的敬拜者,在為神殿命名時,竟不以為恥地以奧盧斯的頭顱(caput)稱之為「卡皮托山」(Capitolium),而非取自宙斯之名。因此我想我們已充分表明:神殿對不朽的眾神而言,要麼是徒然建造的,要麼是以侮辱的臆想、違背歸於他們的尊榮與大能而建造的。接下來我們該談談你們以繁複技藝製作、以虔敬之心細心照料的雕像與神像了。
6:19
Qua in parte si fides est ulla, constituere apud nos ipsos nullis considerationibus possumus utrumne istud serio et cum proposito faciatis gravi an ridendo res ipsas puerili alucinatione ludatis. 4. Si enim certum est apud vos deos esse, quos remini atque in summis caeli regionibus degere, quae causa, quae ratio est, ut simulacra ista fingantur a vobis, cum habeatis res certas, quibus preces possitis effundere et auxilium rebus in exigentibus postulare? 5. Sin autem non creditis aut, ut mediocriter dicatur, ambigitis, etiam sic ratio quaenam est dubiorum fingere atque instituere simulacra et quod esse non credas ventosa imitatione formare? 6.
In this matter, if there is any credence, we can by no considerations settle with ourselves whether you do this seriously and with grave purpose, or whether, in mockery, you sport with the things themselves in childish delusion. For if it is certain among you that the gods exist, whom you revere and believe to dwell in the highest regions of heaven, what cause, what reason is there, that these images should be fashioned by you, when you have the real beings to whom you can pour out prayers and ask help in pressing matters? But if you do not believe, or—to put it mildly—are in doubt, even so, what reason is there to fashion and set up images of doubtful things, and to form by an airy imitation that which you do not believe to exist?
在這方面,若有任何可信之處,我們無論如何斟酌,都無法在自己心中斷定:你們究竟是嚴肅地、懷著莊重的用意這樣做,還是以孩童般的癡想在戲弄這些事物本身?因為若在你們看來眾神確實存在、你們敬畏他們、並相信他們住在天的至高之境,那麼有什麼緣故、什麼理由要你們去塑造這些神像呢——既然你們已有真實的對象,可以向他們傾吐禱告、在急難之事上求助?但若你們並不相信,或者——說得客氣些——心存疑惑,那麼即便如此,去塑造、設立可疑之物的神像、並以虛浮的仿造去成形你所不信其存在之物,又是什麼道理?
6:20
An numquid dicitis forte, praesentiam vobis quandam his numinum sub exhiberi simulacris, et quia deos videre non datum est eos in solid o col i et munia officiosa praestari? 7. Hoc qui dicit et adserit deos esse non credit, nec habere convincitur suis religionibus fidem cui opus est videre quod teneat, ne inane forte sit quod obscurum non videtur. 9.1. "Deos, inquitis, per simulacra veneramur". - Quid ergo? Si haec non sint, coli se dii nesciunt nec inpertiri a vobis | f. 125 | ullum sibi existimabunt honorem?
Or do you perchance say that a certain presence of the deities is exhibited to you beneath these images, and that, because it is not granted to see the gods, they are worshipped in a solid form and dutiful services rendered to them? He who says and asserts this does not believe that the gods exist, and is convicted of having no faith in his own religion—he who needs to see what he holds, lest perchance that be empty which, being unseen, is not visible. 'We worship the gods,' you say, 'through images.' What then? If these did not exist, would the gods not know that they were worshipped, and would they think that no honour was imparted to them by you?
抑或你們也許會說:在這些神像之下,向你們展現了神明的某種臨在,並且因為見神並非人所能,便以固體的形象敬拜他們、向他們獻上盡職的效勞?凡如此說、如此主張者,其實並不相信眾神存在,也被證明對自己的宗教毫無信心——他非得見到自己所持守的對象不可,唯恐那看不見、隱而不顯之物或許是虛空的。「我們,」你們說,「藉神像敬拜眾神。」那又如何?若沒有這些神像,難道眾神就不知道自己受敬拜、就會認為你們未向他們獻上任何尊榮嗎?
6:21
Per tramites ergo quosdam et per quaedam fidei commissa, ut dicitur, vestras sumunt atque accipiunt cultiones, et antequam hi sentiant quibus illud debetur obsequium, simulacris litatis prius et velut reliquias quasdam aliena ad illos ex auctoritate transmittitis. 2. Et quid fieri potis est iniuriosius contumeliosius durius, quam deum alterum scire et rei alteri supplicare? opem sperare de numine et nullius sensus ad effigiem deprecari? Nonne illud est, quaeso, quod in vulgaribus proverbiis dicitur: "Fabrum caedere cum ferias fullonem", et "Cum hominis consilium quaeras, ab asellis et porculis agendarum rerum sententias postulare"? 10.1.
So then, by certain byways and, as it were, through certain things committed in trust, do the gods take and receive your acts of worship; and before those to whom that homage is owed perceive it, you first make offering to the images and transmit them to the gods from an external authority, as if certain relics. And what can be done more injurious, more insulting, more harsh, than to acknowledge one god and to supplicate another thing? To hope for help from a deity and to entreat an image that has no sense at all? Is not this, I ask, what is said in the common proverbs: 'To strike the smith when you mean to beat the fuller,' and 'When you seek the counsel of a man, to demand opinions on things to be done from little asses and piglets'?
那麼,正如所說,眾神竟是經由某些迂迴的途徑、經由某些託付之信,才領受你們的敬拜;而在那些應受此順服者尚未察覺之前,你們先向神像獻祭,並彷彿把某些遺物、憑外來的權威轉交給他們。還有什麼比這更傷人、更侮辱、更苛刻的呢——認得一位神,卻向另一物懇求?盼望從神明得幫助,卻向全無知覺的偶像哀求?我請問,這豈不正是俗諺所說的:「你想打漂布匠,卻去打鐵匠」,以及「你尋求人的忠告,卻向小驢與小豬索取行事的主張」?
6:22
Et unde novissime scitis, an simulacra haec omnia quae dis immortalibus vicaria substitutione formatis similitudinem referant habeant que divinam? 2. Potest enim fieri, ut barbatus in caelo sit qui esse a vobis effingitur levis, potest ut senectute provectior cui puerilem commodatis aetatem, potest ut hic ravus sit qui in veritate habeat oculos caesios, displosas ut gestitet nares quem esse vos facitis figuratisque nasicam. 3. Neque enim rectum est dicere aut appellare simulacrum quod non pariles lineas principali ab ore traducat: quod esse planum et certum manifestis poterit ab rebus agnosci.
And how, finally, do you know whether all these images, which you form as vicarious substitutes for the immortal gods, reproduce a likeness and possess a divine resemblance? For it may be that one who is fashioned by you as smooth-faced is bearded in heaven; it may be that one to whom you assign a boyish age is far advanced in old age; it may be that one who in truth has grey-blue eyes is made tawny, and that he whom you make and figure with a hooked nose wears flattened nostrils. For it is not right to call or name a thing an image which does not draw its lines equal to the original face—a thing which can be recognized as plain and certain from manifest facts.
還有,你們究竟從何得知:這一切你們作為不朽眾神之替代而塑造的神像,是否真能反映其相似、具備神的樣貌?因為很可能:那被你們塑成無鬚光滑者,在天上卻是有鬚的;很可能:那被你們賦予孩童年齡者,其實年邁蒼蒼;很可能:那真實中有灰藍眼眸者,被造成黃褐眼;那被你們造成、塑成鷹鉤鼻者,其實生著扁平的鼻孔。因為凡不能從原本的面容引出相稱線條之物,稱之為「神像」乃是不正當的:而這一點,可從顯而易見的事實中被認清為明白而確定。
6:23
Nam cum omnes homines teretem esse solem indubitabili luminum contemplatione videamus, os illi vos hominis et mortalium corporum liniamenta donastis. 4. Luna semper in motu est et ter denas facies | f. 123b | in restitutione accipit menstrua: vobis ducibus et figuratoribus femina est, vultu que est uno quae per habitus mille eottidiana instabilitate mutatur. 5. Intellegimus omnes ventos aeris esse fluorem pulsi et mundanis rationibus concitati: per vos hominum formae sunt bucinarum animantes tortus intestinis et domesticis flatibus. Inter deos videmus vestros leonis torvissimam faciem mero oblitam minio et nomine Frugiferio nuncupari. 6.
For whereas all we men see, by the indubitable contemplation of its light, that the sun is round, you have given it the face of a man and the features of mortal bodies. The moon is always in motion and receives thrice ten faces in her monthly renewal: under your leadership and shaping she is a woman, and she who is changed through a thousand aspects by daily instability has, with you, a single countenance. We all understand that the winds are a flowing of air that has been struck and stirred by the workings of the world: according to you they are shapes of men, blowing the curved trumpets with inward and native blasts. Among your gods we see a most savage lion's face smeared with pure vermilion and called by the name Frugifer (the Fruit-bearer).
因為當我們眾人藉著對其光的無可置疑的觀察,都看見太陽是圓的,你們卻賦予它人的面孔與必死身軀的輪廓。月亮總在運行之中,每月更新時領受三十種相貌:在你們這些引導者與塑造者手下,她卻成了一個女子,她那藉著千般樣態、以日日的變動而更易者,竟只有一張面容。我們眾人都明白:風乃是被推動、被世界的運作所激盪的空氣之流動;經你們之手,它們卻成了人的形貌,以體內與生俱來的氣息吹著彎曲的號角。在你們的眾神之中,我們看見一張最兇猛的獅面,塗滿純朱砂,被冠以「弗魯吉費爾」(Frugifer,即結果實者)之名。
6:24
Si simulacra haec omnia superorum sunt imagines numinum, ergo et in caelo habitare dicendus est deus talis, ad cuius formam et speciem simulacri huius similitudo directa est, et videlicet ut hic iste, ita illic ille sine reliquo corpore persona est et facies sola, fremebundus hiatibus torvidis, dirus sanguineo de colore, malum dentibus suis comprimens atque ut olim fessi canes unquam ore de patulo perpetuitate proiciens. 7. Quod si utique non est, ita ut omnes existimamus non esse, quaenam tanta audacia est formam tibi quam volueris fingere ac dicere esse simulacrum dei quem probare non possis ulla esse in parte naturae? 11.1.
If all these images are likenesses of the gods above, then a god of such a kind must be said to dwell also in heaven, to whose form and appearance the likeness of this image is directed; and clearly, just as this one here, so that one there is a mask without the rest of a body and a face alone—roaring with grim gapings, dreadful in bloody colour, gripping an apple between its teeth, and, like tired dogs at times, ever thrusting its tongue out of its wide-open mouth in perpetuity. But if this is by no means so—as we all judge it is not—what great audacity is it to fashion for yourself whatever form you please, and to say that it is the image of a god whom you cannot prove to exist in any part of nature?
若這一切神像都是天上神明的肖像,那麼天上便當有這樣一位神,這神像的相似正是照著他的形貌與樣式所刻的;而顯然,正如此處這尊像,那裡那位也是一副沒有其餘身軀的面具、僅有一張面孔——以猙獰的張口咆哮,血色駭人,牙間咬著一顆蘋果,並如疲憊的犬隻,永遠從大張的口中吐出舌頭。但若此事斷非如此——正如我們眾人所判斷的,並非如此——那麼你竟隨心所欲地為自己塑造一種形貌,並說它是某位你無法證明其存在於自然任何部分的神之像,這是何等大的膽量?
6:25
Ridetis temporibus priscis Persas fluvios coluisse, memorialia ut indicant scripta, informem Arabas lapidem, acinacem Scythiae nationes, ramum pro Cinxia Thespios, lignum Icarios pro Diana indolatum, Pessinuntios silicem pro Deum Matre, pro Marte Romanos hastam, Varronis ut indicant Musae, atque, ut Aethlius memorat, ante usum disciplinamque fictorum pluteum Samios pro Iunone: et abstinetis a risu, cum pro diis | f. 126 | immortalibus sigilliolis hominum et formis supplicatis humanis? 2. Quinimmo deos esse sigillaria ipsa censetis, nec praeter haec quicquam vim creditis habere divinam.
You laugh that in ancient times the Persians worshipped rivers—as memorial writings indicate—the Arabs a shapeless stone, the Scythian nations a scimitar, the Thespians a branch in place of Cinxia, the Icarians an unhewn log in place of Diana, the people of Pessinus a flint in place of the Mother of the Gods, the Romans a spear in place of Mars (as the Muses of Varro indicate), and, as Aethlius records, before the use and craft of image-makers, the Samians a board in place of Juno: and yet you refrain from laughter, when in place of the immortal gods you supplicate little figurines of men and human forms? Nay rather, you judge that these very statuettes are gods, and believe that, apart from these, nothing possesses divine power.
你們嘲笑古時波斯人敬拜河流——正如紀念的文字所指明的——嘲笑阿拉伯人敬拜一塊無形的石頭、斯基泰(Scythia)諸族敬拜一把彎刀、忒斯庇亞人(Thespians)以一根樹枝代替琴克西亞(Cinxia)、伊卡里俄斯人(Icarians)以一段未經雕琢的木頭代替狄安娜、佩西努斯人(Pessinus)以一塊燧石代替眾神之母、羅馬人以一支長矛代替馬爾斯(如瓦羅的《繆斯》所指明的),又如埃特利烏斯(Aethlius)所記載的,在雕像的使用與技藝之前,薩摩斯人(Samians)以一塊木板代替尤諾:然而當你們用人的小雕像與人形去代替不朽的眾神懇求時,卻忍住不笑?非但如此,你們竟認為這些小雕像本身就是神,並相信除此之外別無他物具備神的能力。
6:26
Quid dicitis, o istis ergone dii caelites habent aures et tempora, cervices occipitium spinam lumbos latera poplites nates suffragines talos membraque alia cetera, quibus constructi nos sumus et quae prima in parte paulo plenius dicta sunt et scripto uberiore prolata? 3. Utinam liceret introspicere sensus vestros recessusque ipsos mentis, quibus varias volvitis atque initis obscurissimas cogitationes: repperiremus et vos ipsos eadem sentire quae nos neque alias gerere super numinum figuratione sententias. 4. Sed studiis facere quid pervicacibus possumus, quid intentantibus gladios novasque excogitantibus poenas?
What do you say? O you, do the heavenly gods then have ears and temples, necks, back of the head, spine, loins, sides, hams, buttocks, hocks, ankles, and all the other members of which we are constructed, and which were spoken of a little more fully in an earlier part and set forth in fuller writing? Would that it were permitted to look into your minds and the very recesses of your thought, in which you turn over and enter upon various most obscure cogitations: we should find that you yourselves feel the same as we, and hold no other opinions about the shaping of the deities. But what can we do against stubborn zeal, against those who brandish swords and devise new punishments?
你們說什麼?喔,難道天上的眾神竟有耳朵與鬢角、頸項、後腦、脊背、腰、脅、膝彎、臀、腿彎、腳踝,以及我們藉以構成的其餘一切肢體——那些在前文中已稍加詳述、以更豐富的筆墨陳明的?但願能允許人窺看你們的心思與思想的隱處,你們正在其中翻攪、進入種種最幽晦的思慮:我們必會發現,你們自己所感受的與我們相同,對神明的形塑並不持別種看法。然而,面對頑固的偏執、面對揮舞刀劍、構想新刑罰的人,我們又能怎麼辦呢?
6:27
Minitantes adseritis malam scientissimi causam et quod semel sine ratione fecistis, ne videamini aliquando nescisse, defenditis meliusque putatis non vinci quam confessae cedere atque adnuere veritati. 12.1. Ex huiusmodi causis illud etiam vobis coniventibus consecutum est, ut in deorum corporibus lasciviae artificum luderent darentque his formas qua,e cuilibet tristi possent esse derisui. 2.
Threatening, you—most knowing—maintain a bad cause, and what you once did without reason, you defend, lest you should ever seem to have been ignorant, and you think it better not to be overcome than to yield to and assent to acknowledged truth. From causes of this kind it has also followed, with your connivance, that upon the bodies of the gods the wantonness of craftsmen has sported, and has given them forms which could be a mockery to any solemn person.
你們一面威嚇,一面以最「精明」之姿維護一樁壞的訴求;凡你們曾無理而為之事,唯恐顯得自己曾一度無知,便加以辯護,並認為不被駁倒勝過向已承認的真理讓步屈從。由於這類緣故,經你們的默許,還導致了這樣的後果:工匠的放縱在眾神的身軀上恣意戲耍,賦予他們各種形貌,足以令任何嚴肅之人引為訕笑之資。
6:28
Itaque Hammon cum cornibus iam formatur et fingitur arietinis, Saturnus cum obunca falce custos ruris, ut aliquis ramorum luxuriantium tonsor, cum petaso gnatus Maiae, tamquam vias adgredi praeparet et solem pulveremque declinet, Liber membris cum mollibus et liquoris feminei dissolutissimus laxitate, Venus nuda et aperta, | f. 126b | tamquam si illam dicas publicare, divendere meritorii corporis formam, cum pilleo Vulcanus et malleo, manu liber sed dextera et fabrili expeditione succinctus, cum plectro et fidibus Delius, citharistae gestus servans, cantaturi et nenias histrionis, cum fuscina rex maris, tamquam illi pugna sit gladiatorii obeunda certaminis:
And so Ammon is now formed and fashioned with ram's horns; Saturn with a curved sickle, a guardian of the fields, like some pruner of luxuriant branches; the son of Maia with a broad-brimmed hat, as though he were preparing to set out upon the roads and turn aside from sun and dust; Liber with soft limbs and utterly relaxed with womanish looseness; Venus naked and exposed, as though you should say she prostitutes and sells the form of a hireling body; Vulcan with a cap and hammer, his right hand free but girt for the smith's task; the Delian with plectrum and lyre, keeping the gestures of a citharist about to sing an actor's ditties; the king of the sea with a trident, as though he had to enter the fight of a gladiatorial contest:
於是阿蒙(Ammon)被塑造、被造成帶著公羊角的模樣;薩圖恩(Saturn)拿著彎鐮,作田野的守護者,像個修剪繁茂枝條的園丁;邁亞之子(墨丘利)戴著寬邊帽,彷彿正準備上路、要躲避烈日與塵土;利柏爾四肢柔軟,鬆弛得如同女性般的萎靡;維納斯赤裸敞露,彷彿你要說她在公然賣淫、兜售雇傭身軀的姿色;伏爾坎(Vulcan)戴著便帽、拿著錘子,右手空著,卻束裝待命作鐵匠之工;得洛斯神(阿波羅)拿著撥子與豎琴,保持著彈琴者的姿態,宛如要唱優伶的曲調;海之王(涅普頓)拿著三叉戟,彷彿他要去參加角鬥士的搏鬥:
6:29
neque ullum est repperire figmentum alicuius numinis, quod non habitus certos ferat fabrorum o liberalitate donatos. 3. Ecce si aliquis vobis nescientibus et ignaris rex urbanus et callidus ex foribus suis Solem tollat et in Mercurii transferat sedem, Mercurium rursus arripiat atque in Solis faciat commigrare delubrum - uterque enim a vobis glaber atque ore compingitur levi - det que huic radios, Solis capiti petasioculum superponat: quibus modis internoscere poteritis, utrumne Sol iste sit an ille Mercurius, cum habitus vobis deos, non oris soleat proprietas indicare? 4.
nor is any image of any deity to be found which does not bear certain attributes bestowed by the generosity of craftsmen. Behold, if some witty and cunning king, without your knowing or being aware, should take the Sun from his doors and transfer him to Mercury's seat, and again seize Mercury and make him migrate into the shrine of the Sun—for each is fashioned by you as beardless and with a smooth face—and should give the one rays, and set upon the Sun's head a little broad-brimmed hat: by what means will you be able to distinguish whether that is the Sun or this is Mercury, since with you it is the attributes, not the peculiarity of the face, that is wont to indicate the gods?
沒有一尊任何神明的雕像不帶著由工匠的慷慨所賦予的某些固定裝束。你看,若某位機智狡黠的君王,在你們不知不覺、毫無察覺之際,把太陽神從他自己的門前挪走、移到墨丘利的座位上,又把墨丘利抓來、使他遷入太陽神的神龕——因為這二位都被你們造成無鬚而面容光滑——並給後者添上光芒,在太陽神的頭上戴一頂小寬邊帽:那麼你們將以什麼方法辨別,究竟哪個是太陽神、哪個是墨丘利呢?既然對你們而言,慣於指示眾神的是裝束,而非面容的特徵。
6:30
consimili rursus translatione si nudo Iovi cornua detrahat et Martis temporibus adfigat, Martem armis spoliet et his rursus circumcludat Hammonem: interstinctio fieri quae poterit singulorum, cum qui Iuppiter fuerat idem possit existimari Mars esse et qui Mavors fuerat subintroire speciem Iovis possit Hammonis? 5. Usque adeo ludus est simulacra ista confingere, nomina illis tamquam propria dedicare, quibus si habitum detrahas, tollatur cognitio singulorum, deus pro deo credi, alter videri pro altero, immo pro utroque uterque possit existimari. 13.1. Sed quid ego dis datas falces et fuscinas rideo, quid cornua, | f.
Again, by a similar transference, if he should take the horns off the bare head of Jupiter and fix them on Mars's temples, strip Mars of his arms and gird Ammon with these in turn: what distinction of the several ones will be possible, when he who was Jupiter can be reckoned to be Mars, and he who was Mavors can slip into the appearance of Jupiter or of Ammon? To such a degree is it a game to fabricate these images, to dedicate names to them as though proper, when, if you take away their attributes, the recognition of each is destroyed, one god is believed in place of another, one seems in place of another—nay, either can be reckoned in place of both. But why do I laugh at the sickles and tridents given to the gods, why the horns,
又若以類似的挪移,他把角從赤裸的宙斯頭上取下、裝到馬爾斯的鬢角,把馬爾斯的兵器剝去、再以這些兵器把阿蒙圍起:那麼各位神之間又如何能作出區別呢?既然那本是宙斯者可被認作馬爾斯,那本是瑪沃斯(Mavors,即馬爾斯)者可悄然溜入宙斯或阿蒙的樣貌?塑造這些神像、給它們冠以彷彿專屬的名字,竟到了如此兒戲的地步:若你把裝束取走,各位神的辨識便被取消,一位神被當作另一位神來信奉,一位看似另一位——甚至任何一位都可被認作那兩位。但我何必嘲笑那賜給眾神的鐮刀與三叉戟,何必嘲笑那角,
6:31
127 | malleos et galeros, cum simulacra quaedam sciam certorum ferre hominum formas et infamium liniamenta meretricum? 2. Quis est enim qui ignoret Athenienses illos Hermas Alcibiadi ad corporis similitudinem fabricatos? quis Praxitelen nescit, Posidippi si relegat, ad formam Cratinae meretricis, quam infelix perdite diligebat, os Veneris Gnidiae sollertiarum coegisse certamine? 3. Sed sola est haec Venus, cui de scorti wltu translaticium decus auctum est?
the mallets and caps, when I know that certain images bear the forms of particular men and the features of infamous prostitutes? For who is there who does not know that those famous Athenian Hermae were fashioned to the likeness of Alcibiades's body? Who does not know—if he reads Posidippus—that Praxiteles, by a contest of his skills, forced the face of the Cnidian Venus into the form of the prostitute Cratina, whom the unhappy man loved to distraction? But is this the only Venus whose borrowed beauty was augmented from the face of a harlot?
那槌子與便帽呢?——既然我知道某些神像帶著某些特定人物的形貌、以及聲名狼藉的娼妓的容貌?因為有誰不知道,雅典那些著名的赫爾墨(Herma)石柱是照著阿爾基比亞德斯(Alcibiades)的身形所造的?若人讀過波西迪普斯(Posidippus),有誰不知道普拉克西特列斯(Praxiteles)憑著技藝的較量,把克尼多斯(Cnidus)維納斯的面容塑成了娼妓克拉提娜(Cratina)的模樣——那不幸的人曾癡狂地愛著她?但難道只有這一尊維納斯,其借來的美貌是取自妓女的面容而增添的嗎?
6:32
Phryna illa Thespiaca, sicut illi referunt qui negotia Thespiaca scriptitarunt, cum in acumine ipso esset pulchritudinis, venustatis et floris, exemplarium fuisse perhibetur cunctarum quae in opinione sunt Venerum sive per urbes Graias sive iste quo fluxit amor talium cupiditasque signorum. 4. Itaque artifices omnes ipsis isdem qui temporibus extiterunt quibus que primas dabat exprimendarum similitudinum veritas omni cura studioque certabant filum capitis prostituti Cythereia in simulacra traducere, ardebant artificumscita. alterque alterum vincere contentiosa aemulatione quaerebant, non Venus ut augustior fieret sed ut Phryna pro Venere staret. 5.
That famous Phryne of Thespiae—as those relate who have written of Thespian affairs—when she was at the very height of beauty, charm, and bloom, is reported to have been the model of all the Venuses that are in repute, whether throughout the Greek cities, or wherever this love and desire for such statues has flowed. And so all the artists who lived in those very times—to whom the truth of reproducing likenesses gave the first rank—strove with all care and zeal to transfer the lineaments of a prostitute's head into images of Cytherea; the ordinances of the craftsmen were aflame, and each sought to outdo the other in contentious rivalry, not that Venus might be made more august, but that Phryne might stand in place of Venus.
那位忒斯庇亞的芙律涅(Phryne),正如那些寫過忒斯庇亞事務的人所述,當她正處於美貌、嫵媚與芳華的巔峰時,據說是一切享有盛名的維納斯像的範本——無論是遍布希臘諸城的,還是這股對此類雕像的愛慕與渴求所流布之處的。因此所有那些活在同一時代、被塑造相似之真本推為第一流的工匠們,都極盡心力地爭相把一個娼妓頭部的線條移入庫忒瑞亞(Cythereia,即維納斯)的神像中;工匠的技法為之燃燒,各人以爭競的較勁力求勝過對方——不是為使維納斯更顯尊貴,而是為使芙律涅得以代替維納斯而立。
6:33
Atque ita perducta est res eo ut pro diis immortalibus sacra meretricibus fierent et infelix religio signorum fabricationibus falleretur. Inter significes ille memoratus Phidias est primus: cum Olympii formam Iovis molimine operis is extulisset inmensi, super dei digito: "PANTARCES - inscripsit - PULCHER" - nomen autem fuerat amati ab se pueri atque obscena cupiditate | f. 127b | dilecti - neque ullo metu est aut religione commotus deum nomine prostibuli nuncupare, quinimmo exoleto Iovis numen simulacrumque sacrare. 6.
And so the matter was brought to such a point that, in place of the immortal gods, sacred rites were performed to prostitutes, and unhappy religion was deceived by the fabrication of statues. Among the image-makers, the famous Phidias is foremost: when he had raised up the form of Olympian Jupiter with the effort of an immense work, upon the god's finger he inscribed 'PANTARCES IS BEAUTIFUL'—and this was the name of a boy loved by him and cherished with obscene desire—nor was he moved by any fear or religious scruple to name the god by the title of a catamite; nay rather, to consecrate the divinity and image of Jupiter to a boy prostitute.
於是事情發展到這般地步:竟以獻給娼妓的祭儀代替了對不朽眾神的祭儀,不幸的宗教被雕像的製作所欺瞞。在那些著名的雕像製作者中,菲迪亞斯(Phidias)居首:當他以浩大工程之力塑起奧林匹亞宙斯的形像後,在神的手指上刻下:「潘塔爾克斯是美的」——而這是一個被他所愛、以淫穢慾望所鍾愛的男孩之名——他竟毫無畏懼或宗教顧忌,以一個男妓之名來稱呼神,非但如此,還把宙斯的神性與神像獻給一個孌童。
6:34
Usque adeo ludus est et puerilis adfectio sigillaria ista formare, adorare prodis ea, sanctitatibus accumulare divinis, cum ipsos videamus artifices in effingendis his ludere et libidinum propriarum monumenta sancire. 7. Quid est enim, si quaeras, cur Phidias ludere ac lascivire dubitaret, cum ante paululum temporis Iovem ipsum quem fecerat sciret aurum fuisse, lapides atque ossa informia disparata confusa seque horum omnium congregatorem atque vinctorem, habitus eis per se datos [in] membrorum similitudine fabricata et, quod inter omnia primum est, sui esse beneficium muneris, quod natus ipse esset atque in rebus adoraretur humanis? 14.1.
To such a degree is it a game and a childish inclination to fashion those little images, to come forth and adore them, to heap divine sanctities upon them, when we see the very craftsmen playing while they shape these things and consecrating the monuments of their own lusts. For what is there, if you ask, why Phidias should hesitate to play and to be wanton, when a little while before he knew that the very Jupiter which he had made had been gold, and stones and shapeless bones, disparate and confused, and that he himself was the gatherer and binder of all these; that the forms given to them were fabricated by his own hand in the likeness of limbs; and — what is foremost of all — that it was the benefit of his own gift that the god had itself been born and was adored among human affairs?
塑造那些小神像、走出來敬拜它們、將神聖的崇敬堆積於其上,竟是何等兒戲、何等幼稚的癖好;何況我們親眼看見工匠們在製作這些像時嬉戲玩鬧,並將自己私慾的紀念物奉為神聖。因為,你若追問,為何斐狄亞斯(Phidias)竟毫不猶豫地嬉戲放縱呢?既然不久之前他還清楚知道,他所造的那位朱庇特本是黃金、石頭與雜亂無形、四散混合的骨頭,而他自己正是這一切的聚集者與捆綁者,賦予它們的形狀是他親手按肢體的模樣所造,並且——這是首要之事——那神竟得以「誕生」、得以在人間受人敬拜,全是他一手之功的恩賜。
6:35
Libet in hoc loco, tamquam si omnes adsint terrarum ex orbe nationes, unam facere contionem atque in aures haec omnium communiter audienda depromere. 2. "Quidnam est istud, homines, quod ipsi vos ultro in tam promptis ac perspicuis rebus voluntaria fallitis et circumscribitis caecitate? 3. Discutite aliquando caliginem regressique ad lumen mentis intuemini propius et videte istud quod agitur quale sit, si modo retinetis ius vestrum atque in finibus his datae rationis consiliique versamini. 4.
It pleases me in this place, as if all the nations from the world's circle were present, to convene one assembly and to bring forth into the ears of all these things to be heard in common. 'What is this, O men, that in matters so ready and so clear you of your own accord deceive yourselves and hem yourselves in with a voluntary blindness? Shake off at last the darkness, and, returning to the light of the mind, look more closely and see of what sort is this that is being done — if only you still retain your own right and dwell within the bounds of the reason and judgment that were given you.'
在此我願意,彷彿全地萬邦都在場一般,召開一場大會,把這些應當共同聆聽的話語傳入眾人耳中:「人哪,這是怎麼回事?在如此明顯而清楚的事上,你們竟自願地欺騙自己,甘心以盲目自我蒙蔽?你們終該驅散這昏暗,回到心智的光明中,更貼近地察看,看看眼前所行的究竟是何等事——只要你們仍持守自己的權利,仍活在所賦予你們的理性與判斷的界限之內。」
6:36
Simulacra ista quae vos terrent quaeque templis in omnibus prostrati atque humiles adoratis ossa lapides aera sunt, argentum aurum testa, ligum sumptum ex arbore aut commixtum glutinum gypso, ex ornatibus fortas| f. 128 |se meretriciis aut ex muliebri mundo, camellinis ex ossibus aut ex Indici animalis dente, ex caccabulis, ollulis, ex candelabris et lucernis aut ex aliis obscenioribus vasculis congesta, conflata in has species ducta sunt atque in formas quas cernitis exierunt, fornacibus incocta figulinis, ex incudibus et malleis nata, grosis rasa, discobinata de limis, serris furfuraculis asceis secta dolata effossa, terebrarum excavata vertigine, runcinarum levigata de planis". 5.
Those images which terrify you, and which you adore, prostrate and humbled, in all the temples, are bones, stones, bronze — silver, gold, earthenware, wood taken from a tree or glue mingled with gypsum — heaped together perhaps from harlots' ornaments or from a woman's finery, from camel bones or from the tooth of an Indian beast, from little pots and jars, from candelabra and lamps, or from other more obscene little vessels; melted down, they have been drawn into these shapes and have come forth into the forms you behold: baked in potters' furnaces, born from anvils and hammers, scraped with gravers, filed with files, cut with saws, gimlets and adzes, hewn, dug out, hollowed by the whirling of drills, and smoothed by the flat blades of planes.
那些使你們懼怕、你們在各殿中俯伏謙卑敬拜的偶像,不過是骨頭、石頭、銅——銀、金、陶土、取自樹木的木料,或摻了石膏的膠;也許是用妓女的飾物或婦人的妝奩、用駱駝的骨頭或印度獸的牙、用小鍋小罐、用燭台油燈,或用其他更不堪的器皿堆聚熔鑄而成,被塑成這些模樣,成了你們所見的形狀:在陶匠的爐中燒製,從鐵砧與鐵鎚下誕生,用雕刀刮削,用銼刀銼磨,用鋸、鑽與扁斧切割、砍鑿、挖空,靠鑽子旋轉鑽孔,靠鉋刀的平刃磨光。
6:37
Ita iste non error est, non ut proprie dicatur amentia, deum credere quem tute ipse formaris, subplicare tremibundum fabricatae abs te rei, et cum scias et certus sis tui esse operis et digitorum partum, pronum in faciem ruere, opem rogare suppliciter adversisque in rebus atque in temporibus asperis propitii numinis favore succurrere?". 15.1. Ecce si aliquis ponat in medio aes rude atque in opera nulla coniectum, argenti massas indomiti infectumque aurum, lignum, lapides atque ossa resque alias cetera?
Is this then not an error — not, to speak properly, a madness — to believe that to be a god which you yourself have fashioned; to supplicate, trembling, the thing manufactured by you; and, though you know and are certain that it is your own work and the offspring of your fingers, to fall prone upon your face, to beg help as a suppliant, and in adverse circumstances and harsh times to hope to be succored by the favor of a propitious deity?' Behold, if someone should set in the midst raw bronze cast into no work, masses of untamed silver and unwrought gold, wood, stones and bones and the other remaining things —
那麼,把你親手塑造的東西當作神來相信,戰兢地向你自己製造之物祈求,明知並確信那是你自己的作品、你指頭的產物,卻仍俯伏在地,卑微地乞求幫助,指望在逆境與艱難時得蒙那「慈悲神明」的眷顧相助——這豈不是謬誤,甚至可以恰當地稱為瘋狂嗎?看哪,倘若有人把尚未加工、未曾製成任何器物的粗銅擺在眾人面前,把未經處理的銀塊與未鍛造的金、木頭、石頭、骨頭以及其餘之物擺出來——
6:38
quibus signa consueta sunt et numinum simulacra constare, immo si aliquis ponat in medio conlisorum deorum vultus, confracta atque inminuta simulacra iubeatque vos idem frustis hostias et fragminibus caedere, informibus massis sacra et munia inpertire divina: audire a vobis exposcimus facturine istud sitis an contra quam imperabitur recusaturi? 2. Fortasse dicetis: "Qua causa?". - Quia nemo est in rebus humanis tam stolide caecus, qui argentum aes aurum gypsum ebur argillam deorum in numerum u referat ipsaque | f. 128b | per se dicat vim habere atque optinere divinam. 3.
from which the accustomed signs and the images of divinities are wont to be composed — nay, if someone should set in the midst the faces of shattered gods, images broken and diminished, and should bid you to slaughter victims to these same fragments and pieces and to impart sacred rites and divine offices to the shapeless masses: we demand to hear from you whether you would do this, or, on the contrary, would refuse what is commanded. Perhaps you will say: 'For what reason?' — Because there is no one in human affairs so stupidly blind as to reckon silver, bronze, gold, gypsum, ivory, or clay into the number of the gods and to say that they of themselves possess and hold divine power.
就是那些慣於用來製作神像、構成神明偶像的材料;不,倘若有人把被砸碎之神的面容、破裂殘缺的偶像擺在眾人面前,並吩咐你們向這些碎塊殘片宰殺祭牲、向這些無形的塊料獻上聖禮與神聖的職事:我們要求聽你們回答——你們是願意這麼做,還是會拒絕所吩咐的事呢?也許你們會說:「為什麼?」——因為在世人當中,沒有誰愚昧盲目到把銀、銅、金、石膏、象牙、黏土算作神明,並說它們本身就擁有並持守神性。
6:39
Quaenam est ergo ratio, ut si omnia haec corpora intacta atque infecta permanserint, careant vi numinis atque auctoritate caelesti: ea formas si accipiant hominum, si auriculas nasos buccas labra oculos cilia, continuo dii fiant et in ordinem caelitum referantur et censum? 4. Novitatis aliquid fictio corporibus his addit, ut adiectione ipsa cogamini aliquid eis credere divinitatis maiestatisque conlatum? 5. In aurum aes mutat aut testulae vilitatem in argenteam cogit degenerare materiam? Quae insensilia fuerunt paulo ante, facit ut sint viva et spiritali agitatione moveantur? 6.
What then is the reasoning, that if all these bodies remain untouched and unwrought they lack the power of divinity and heavenly authority, but if they receive the forms of men — if they receive little ears, noses, cheeks, lips, eyes, eyelids — they straightway become gods and are enrolled in the rank and census of the celestials? Does the fashioning add some novelty to these bodies, so that by that very addition you are compelled to believe that something of divinity and majesty has been conferred upon them? Does it change them into gold or bronze, or force the cheapness of the potsherd to degenerate into silver substance? Does it make what a little before was insensible to be alive and moved by a spiritual stirring?
那麼是何道理:這一切物體若保持未經觸動、未經加工,便缺乏神性與屬天的權柄;可一旦它們獲得了人的形狀——獲得小耳朵、鼻子、臉頰、嘴唇、眼睛、眼瞼——就立刻成了神,被列入天神的行列與名冊?難道這番塑造為這些物體添加了什麼新意,使你們不得不因這添加本身而相信,有某種神性與威嚴被賦予了它們?難道它把材質變成了金、銅,或迫使廉價的陶片墮落變為銀質?難道它使方才還無知覺之物成為活的、被屬靈的動力所推動?
6:40
Si quas foris habuere naturas eas omnes retinent simulacrorum in corporibus constituta, stupiditas quae tanta est - detrecto enim dicere caecitatem - rerum existimare naturas formarum qualitate mutari et accipere numen ex habitu quod in primigenio corpore iners fuerit et brutum et sensus mobilitate privatum. 16.1.
If, once set up in the bodies of the images, they retain all the natures which they had before on the outside, how great is the stupidity — for I forbear to say blindness — of thinking that the natures of things are changed by the quality of forms, and of supposing that a thing receives divinity from its shape which in its primal body was inert and brute and deprived of the mobility of sense.
倘若這些材料在製成偶像的形體後,仍保留它們原先在外時所具的一切本性,那麼還有什麼樣的愚蠢——我不願說是盲目——如此之大,竟以為事物的本性會因形狀的品質而改變,以為某物在其原初形體中本是呆滯、無知覺、失去感官活動之能的,如今竟能因外表而獲得神性?
6:41
Itaque immemores et obliti simulacrorum substantiae atque originis, quae sit, rationale homines anima, et sapientiae munere consiliique donatum coctilibus testis succumbitis, aeris lamminas adoratis, elephantorum ab dentibus secundas poscitis valetudines, magistratus imperia, potestates victorias adquisitiones lucra, messes optimas feracissimasque vindemias, et cum pateat, luceat, rebus fieri verba cum brutis, exaudiri vos remini ipsique vos ultro credulitatis vacuae circumscriptione traducitis? 2. O utinam liceret in simulacri alicuius medias introire | f.
And so, unmindful and forgetful of what the substance and origin of the images is, you men — rational by soul and endowed with the gift of wisdom and counsel — succumb to baked potsherds, adore plates of bronze, ask secondary health from elephants' tusks, [beg for] the commands of magistracies, powers, victories, acquisitions, gains, the best harvests and most fruitful vintages; and though it is manifest and clear that words are exchanged with brute things, you dream that you are heard, and of your own accord you betray yourselves by the deception of an empty credulity? O that it were permitted to enter into the inmost
因此,你們這些人——本是憑靈魂而有理性、蒙賜智慧與判斷之恩的——竟然對偶像的本質與來源渾然不覺、全然忘卻,屈服於燒製的陶片,敬拜銅片,向象牙求取健康,求取官職的權柄、勢力、勝利、獲利、財富、最好的收成與最豐盛的葡萄收穫;並且,儘管明明白白:這無異於對呆滯之物說話,你們卻夢想自己蒙垂聽,反倒甘心情願地被空洞的輕信所蒙蔽,出賣了自己?哦,但願能進入某偶像的內部——
next part →
← ch. 5ch. 7 →
1234567

Tell me when new readings are published

One email per new chapter reading. Double opt-in; one-click unsubscribe.